Deception Pass Madrones

Tuesday, October 9, 2012

What's The Matter In Visuals? (Three Samples)

1.  For awhile, on a chilly, gray-clouded yesterday, I caught sight of a drab-capped, blondish, pony-tailed guy paddling downriver.  Red canoe, unbelievably blue paddle.  Another fine picture pushed into my memory bank, even as the imperceptible splash refreshed my bystander guilt and pleasure.

2.  Barely noticing anything else, I first identified the Macarena song track - which elicited the  happy memory of a cousin's wedding. Only then did I follow the smart image sequence which led me to the product. Kudos to the HP madmen/women, who masterminded this pleasantly painless office-jet printer pitch!  They got me dancing, took me boating and caught me happier at the end! Too bad I already have an Epson!

3.  Seriously superb film/TV graphics still make me covetous. Cinematography too.  And  experiencing them I say: 'Yes! I'd sign my name to that in a moment, unabashedly, unhesitatingly, admiringly!' When visual art is excellently visual it speaks for itself. But saying something that way is a difficult and wonderful process, one I am familiar with. I love the uniquely creative gift that selects, skillfully juxtaposes, smartly manipulates and playfully engages me as I have also managed to sometimes do. And even today, I am bouyed at the memory of having favorably impressed a remarkably gifted fellow-artist whose process differed so much from mine. The end-result is crucial, but so is the creative process. I love knowing that. Awareness of everyday art, as well as the fine art of awareness itself, requires no admission nor ticket price. However, without attentive sensibility and a somewhat alert, aesthetic appetite, everything fades to black. That makes living hard. 


Lake Itasca, Itasca State park, MN - smruhland








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